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July 2000

now and zen in thailand


By
Kristina Malsberger

fast food
Fast food for sun worshippers at Hat Tham Phra Nang

I always seem to miss the good stuff. Previews before movies, the opening jokes of speeches, the bus that will get me to work on time. I'm just one of those late people—always arriving after I should have and trying to make the best of it.

My trip to Thailand was no exception. When my plane touched down on a sunbaked Bangkok runway, I knew I was already running at least 25 years behind schedule. I'd been warned that the old Thailand—the pristine, mysterious Eden that had so enraptured backpackers in the early '70s—was gone, sacrificed on the altar of progress, trampled by the Tevas of some 8 million annual tourists. Pattaya, lamented returning travelers, had become a purgatory of high-rise resorts and sex tourism. The tribal villages around Chiang Mai were little more than human zoos. Even Phuket, the jewel of the Andaman Sea, was blanketed with sunburned bodies, its coral reefs littered with beer bottles.

But even after hearing that the fairy tale might not have a happy ending anymore, it was impossible to shake Thailand's hold on my imagination. Sure, there were less trammeled destinations in Southeast Asia—Cambodia, Myanmar, and Laos—but they didn't conjure up the dreamlike images that Thailand did: temples crumbling beneath the steamy canopy of the jungle, saffron-robed monks and sleeping gold Buddhas, curiously arched boats pulled up on magical white beaches. Tainted or not, Thailand was still what I yearned for.

What I got was neither the nightmare nor the fantasy. The Thailand that greeted me when I stepped off the plane was something far more complicated—a koan of past and present, capitalism and Buddhism, beauty and desecration. It was a world where teak mansions jostled against 7-Elevens, where tour buses shared the roads with vegetable carts, where monks prayed and chanted . . . and blew up spaceships in the local Nintendo parlor. It certainly wasn't a pristine paradise. But if you approached it right, the union of old and new could be just as foreign and exciting and magical.

Admittedly, I felt a twinge of indignation that the Thais hadn't been more considerate of my desire for tradition and timelessness. But then, I asked myself, had we Americans continued to ride around in wagon trains with cowboy hats and six-shooters for the benefit of our foreign visitors' illusions? The modern world had seduced Thailand just as it had seduced America, and in a positive sense, offered a common ground between the two nations. Who knows, perhaps a mutual appreciation of video games could have been the starting point for a meaningful East-West conversation between the monks and me. If only I'd known how to say "Super Mario Brothers" in Thai.

girl with krathong
A young girl displays a krathong—a banana-leaf float topped with flowers and candles that illuminates the waterways of Thailand during the annual Loi Krathong festival.

What I could say, thanks to a dog-eared phrase book, was a handful of simple sentences. One of them, "mai chawp phet" ("I don't like spicy food"), was a life-preserving necessity, seared into my memory in a flurry of tears and pepper-laced curry. But most were social niceties—greetings and thank-yous that elicited smiles, giggles, and astonished delight from their recipients. Few foreigners braved the singsong perils of Thai, and my attempts, no matter how laughable, were greatly appreciated.

In return, the Thais let me in on their secrets. Outside Khao Sok National Park, I was waiting with a group of Westerners to begin an elephant trek when I noticed a Thai woman looking at us with interest. I walked over. "Chang?" I said uncertainly, pointing at the gray giant being saddled up. She smiled and nodded. I had gotten the word for elephant right. "Elephant name?" I ventured in Thai. "Praeda," she replied. "How old?" I asked. "Forty-five," she said proudly.

My bag of linguistic tricks was empty, but the woman continued talking excitedly, gesturing toward a corrugated tin shack on the rise. I caught the word pai (to go) and nodded in agreement. "Where are you going?" asked someone in the group. "She's taking me somewhere!" I called out happily.

The woman led me through a grove of slender trees that oozed a white, Elmer's glue-like substance from diagonal slashes in their bark. Inside the shack, a trickle of water ran across the hard cement floor, on which two women were pummeling gelled loaves of the white stuff into flattened circles. A third woman ran the circles through a hand-cranked wringer that spit them out in the shape of a bath mat, the words "Made in Thailand" stamped neatly on their surface.

It was a rubber factory, with three workers and 10 feet of tamped earth between the source and the final product. When I look back on that day, I recall the elephant ride was great. Being shown a real part of Thai life was even better.

Not all my fellow travelers shared this appreciation for the "reality" of Thailand. Still clinging to the fantasy, they sought out what was once the best beach or the most magnificent temple—and spent their days with hundreds of other tourists doing exactly the same thing. Sometimes it was impossible to avoid the masses. Other times I willingly joined them (it's difficult to be too disgruntled about crowds when you're lying on a white sand beach, eating pineapple on a stick and getting a massage). But mostly I watched to see where the tourist ant trails led—and then headed in the opposite direction.

ruins of Ayutthaya
Visitors explore the ruins of Ayutthaya, the capital of Siam from 1350 until 1767, when it was sacked by the Burmese.

It became a sort of game, dodging the tourist circus. Confronted with crowds in Chiang Mai, I would duck down the back alleys, listening to the rise and fall of Thai voices, the smell of pork and noodle stir-fry wafting out into the haze of the late afternoon. In the south I chose public transport over air-conditioned tour buses, waiting at lonely roadside stops next to wizened grandmothers who chopped green mangoes to sell to passengers. In the ruined city of Ayutthaya, I rented a creaking bicycle and pedaled over a bridge across the wide, lazy river. The stone temple on the other side was practically deserted, wrapped in the silence of centuries, just a mile away from the click of camera shutters and the shuffle of tour groups.

Despite these conscious efforts to immerse myself in the more authentic aspects of Thailand, many discoveries were simply serendipitous. There's a surplus of good karma floating around Thailand, and it found me one afternoon outside the town of Krabi. As I walked down a quiet dirt road leading from a forest monastery, a tour bus pulled up alongside me. A man leaned out and motioned me over, "Get in, get in! Krabi!" After a moment's hesitation, I climbed on board. Thirty pairs of kohl-lined eyes stared up at me from beneath spirelike gold hats. I had been picked up by a troupe of Thai dancers.

They were young women from the northeast, performing at the cultural festival in town. Their English in-flection was distinctly Thai, but their questions were of universal importance: "How old are you? You have a boyfriend?" They told me their nicknames—animal handles like "Shrimp" and "Monkey." I told them I hoped to see them again if I visited their hometown but was afraid I might not recognize them without their heavy makeup. "No worry," they assured me. "We will never forget you." Later that night, I sat for hours, watching them move in measured, graceful steps beneath the inky southern sky, the only foreigner in the audience. It didn't matter what had been here 25 years ago. I wasn't missing a thing.



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This article was first published in July 2000. Some facts
may have aged gracelessly. Please call ahead to verify information.

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